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The Good Work In Urban-Rural

2023-05-09T09:47:51+00:00October 4th, 2022|bioregioning, food systems, urban-rural|

A new course in Sweden asks, “what will a self-sufficient Hällefors Municipality taste like in 2030?” By turning ‘would-be-nice’ ideas into tangible prototypes, it turns ecological transition from an aspiration, into a practice. Included here: 20x emerging new livelihoods - from Edible Food Forests, to School-Farm Biocantines

From Control, to Kinship: Ecological Restoration in a More Than Human World

2022-10-04T13:56:36+00:00June 10th, 2022|knowing, nature-connection|

(Keynote talk in China) A just transition will happen when we see nature differently, relate to nature differently, and understand the purpose of development differently. So, can AI foster new ways of knowing and being in the world? Can it be medium of attention; a medium of connection; a medium of relationship with the living world?

“An inspiring design”

2022-10-04T09:23:25+00:00February 28th, 2022|earth repair, nature-connection|

Twenty landscape students were given an unusual design brief: regenerate the soils of the Camargue bioregion - its rhizosphere - as a biological, living entity. Do do this, they were told, by creating new associations between, people, animals, vegetation, and weather.

Beyond Calculation: AI and Sustainability

2022-10-07T11:41:03+00:00December 9th, 2021|care, development, most read|

(Keynote talk in China): Even before AI came along, “what’s good for humans” helped shape an economy that extracts vitality, as well as resources, from the planet’s living systems. This cultural disconnection – between the living world, and the economic one – explains why we either don’t think about rivers, soils, and biodiversity at all – or we treat them as natural ‘resources’ whose only purpose is to feed “the economy.”

The relationship of my texts to a dead fish

2022-10-04T14:10:53+00:00March 4th, 2021|care|

(A conversation with John Wood, professor at Goldsmiths, University of London, and joint editor (with Julia Lockheart) of the Journal of Writing in Creative Practice). I question why artists and designers should be encouraged to write in an intellectual way. After all these years, I still don’t understand the need to converse in abstruse language.

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