(Photo: Mapping a bioregion with plants – Joachim Robert Cyanotype workshop at FuturePerfect 2012)
In what ways can design [continue …]
(Summer re-run: first published 8 October 2006)
In his review of Richard Lanham’s new book The Economics of Attention, Adrian Ellis says that “its core argument (is) that everyone is straining for distinction in a late capitalist global economy jammed with commodities and information, and that culture and creativity [continue …]
Preparations for the ElectroSmog International Festival for Sustainable Immobility are gathering pace. An Electrosmog blog has been launched, and Doors of Perception has agreed to co-host a session on Friday 19 at deBalie, in the afternoon. Our focus will be on [continue …]
…so I’m simply going to post this chart, which I’ve been sitting on for ages, without further explanation or analysis. Why don’t *you* tell *me* what it means, or what global dilemma it may help resolve? Refer to global warming, the financial crisis, peak indium, or any other grim peak [continue …]
Is this the next-generation telephony solution I’ve been looking for as an alternative to physical travel? Its creators, Unsworn Industries (Magnus Torstensson and Erik Sandelin) have created a sublime piece of communications landscape art, or something along those lines. Saturday 2 August is the grand [continue …]
Luca Pizzaroni has been working for three years on building a sculpture which is made of garment clothing from every country in the world. For the artist, this this is a “mind travel escape” – and I know we have visitors from most countries at [continue …]
So you think you know what an English country house feels like? Well think again. Judith King for English Heritage and Dott 07 (with Juha Huuskonen) have invited experimental film directors, artists and designers to transform Belsay Hall in Northumberland with a series of cutting edge art and new media [continue …]
In response to spam attacks we’ve had to turn off the comment function here. Apologies for that: If you’ve had a comment blocked, please send it to desk at doorsofperception dot com com and we’ll post it manually.
A rare opportunity to meet Natalie Jeremijenko in Glsagow. Voted as one of the Top 100 young innovators by the MIT Technology Review, Natalie is a design engineer and techno-artist who creates large-scale participative experiments in public spaces. She produces multimedia installations that use robotics, genetic and digital engineering, electromechanics [continue …]
The website of the conference in Boras now has videos of the speakers including Jeremy “hydrogen economy” Rifkin, Saffia “Free Trade” MInney, Oliviero “1,000 slides” Toscani, and John “oh no not a mouse!” Thackara. Back in Newcastle, we explored the relationship between design and sexual [continue …]
Paul Hawken reckons that over 1 million organizations, populated by over 100 million people, are engaged in positive activity designed to address climate and other environmental issues. “Collectively this constitutes the single biggest movement on earth, but but it flies under the radar” he writes. Paul’s new project, a book [continue …]
Every time I open my computer these days another monstrosity makes me choke on my cocopops. On Monday it was reading the loony-tunes head of Saatchi and Saatchi talk about “war as a brand” (see below). Today I started to read Wally Olins – another eminence of design and communications [continue …]
Did you know this? “In the old days, women exposed their adulterous husbands by marking their left and right socks”. I never heard this before. But this makes me a minority among Englishmen, I now realise, because they (we) have been ridiculed for decades for making love with our socks [continue …]
Jet Blue’s new credit card slogan wins my vote for the 2006 meaningless bollocks perpetrated by a creative agency award.
AIGA, the US professional association for design, and IDCA, the International Design Conference at Aspen, invited John Thackara to chair the Aspen Design Summit.
Conceived as “a new type of gathering for a new century”, this celebrated event brought design-minded leaders from around the world to Aspen, Colorado to make [continue …]
Did we say that green design needs to be less sad and more glamorous?
Brad Pitt, who has few reasons to be sad that we’re aware of, narrates a six-part television series on ecologically friendly architecture, called Design-eÂ², which launches in June on PBS in the US.
The series challenges [continue …]
The Situationists were early critics of the creative industries. They rejected the idea that art is a specialized profession, or that its task is to produce spectacles for consumption. The only time their leaders came to London (in 1961), one of them, Guy Debord, was to speak at the [continue …]
The Guardian is flogging an absurdly over-the-top watch on its website. Because the watch is radio-controlled, accuracy is guaranteed to “within one second in a million years”. The watch also boasts five daily alarms, a 1/100 second stopwatch, and world time. The Guardian promises that “you should never be [continue …]
I’ve been called priggish for insisting that some issues deserve more design attention than others. The trouble is that we are not good at judging risk – especially long-term ones – as a society, and when big issues get overlooked at the expense of insignificant ones, we end up [continue …]
“Enjoy the future” raves British Telecom, in its Technology Timeline for 2006-2050. BT spoils the effect by warning of wildcards, that “may happen at any time”, that include “international financial collapse” and “the possible rise of a machine dictator”. I’m sanguine about the second of these problems: [continue …]
Thanks to Europe’s most horrible company, Wanadon’t, our internet connection has again been down for days. So we have had to access our email by telephone. Your warmly-meant illustrated seasons greetings have taken literally hours to download. Next year, maybe think about sending us a poem?
A typically excellent piece by Karrie Jacobs in next month’s Metropolis discusses “how hard it is to mount a really innovative contemporary industrial-design show these days. The problem–and it’s not specific to MoMA–is that the products one can find on the shelves of almost any store are likely to [continue …]