perception

Public performance in Kisangani. Image © Studios Kabako

Studios Kabako, a dance company from Africa, is the winner of this year’s 2014 Curry Stone Design Prize, an important international award. Using [continue …]

(Photo: Mapping a bioregion with plants – Joachim Robert Cyanotype workshop at FuturePerfect 2012)

In what ways can design [continue …]

They say that the last days of Rome were culturally rich – and the same seems to be the case in our own times.
Choreographer Valerie Green and Dance Entropy, a New York City-based experimental dance troupe, will shortly premier a new work, Rise and Fall, [continue …]

A premise of Joseph Giacomin’s new book Thermal is that global warming is hard to ignore when you view the world through thermal eyes.
Hard, but not impossible, to ignore. We humans are skilful evaders of uncomfortable truths.
The premise of the author’s reseach group [continue …]

On of the reasons we underestimate the sheer physical mass of our power and information networks is that they’re hidden from view. But not in Bangkok. The German photographer Thomas Kalak has spent ten years decade capturing images like these.They feature in an [continue …]

I dislike the word ‘glocal’. It’s an ugly word used by high altitude thinkers to add zest to another word – local – that they find tedious on its own.
I also dislike the word ‘creative’. It tends to be used by uncreative people to describe [continue …]

(Summer re-run: first published 8 October 2006)
In his review of Richard Lanham’s new book The Economics of Attention, Adrian Ellis says that “its core argument (is) that everyone is straining for distinction in a late capitalist global economy jammed with commodities and information, and that culture and creativity [continue …]

Global flows of money

Global Thermohaline Circulation

Could you create an earthwork of significant scale using excavated spoil? The site is in Falkirk, Scotland (56 01 20.95 N / 03 44 30.74 W).
Christian Barnes and landscape architect John Kennedy have written a thorough and [continue …]

An underground exhibition of Polish art in Beirut looks like a specialised event, even for me – only it features the work of the Polish photographer Nicolas Grospierre which makes it definitely worth a visit. Grospierre’s modified architectural photographs were a highlight for me [continue …]

Preparations for the ElectroSmog International Festival for Sustainable Immobility are gathering pace. An Electrosmog blog has been launched, and Doors of Perception has agreed to co-host a session on Friday 19 at deBalie, in the afternoon. Our focus will be on [continue …]

The highlight of my visit to Musashino Art University’s 80th Anniversary was this stunning fashion show called epa! (Thanks, Tatsu, for the pictures). An incredible amount of fine handwork was involved in the clothes and acccessories, but what struck me most was the [continue …]

I’m extremely honoured to be on the jury for the next Buckminster Fuller Challenge. More importantly, there’s a $100,000 prize at stake – so do check it out. I quote the introduction: “There is a movement afoot–of highly motivated individuals all over the world [continue …]

…so I’m simply going to post this chart, which I’ve been sitting on for ages, without further explanation or analysis. Why don’t *you* tell *me* what it means, or what global dilemma it may help resolve? Refer to global warming, the financial crisis, peak indium, or any other grim peak [continue …]

The incredibly sad news has reached us today that Patricia de Martelaere has died.
Many readers of this blog may recall her presentation at Doors of Perception 7 on flow: “A philosophical tale about our time.” Patricia was already a rising star of European philosophy [continue …]

Some close friends of Doors have just completed 20 months work doing up Café de Tannay. It’s an authentic 16C town house two-and-a-bit hours south of Paris. It’s in the ancient center of the Middle Ages wine village of Tannay, whose name is derived [continue …]

I often use pictures like this one, in my talks, to denote the crisis. But the crisis seems to be perpetual, and it becomes boring to repeat the same image. I therefore thank Matthew Ray Robison, a public-spirited person who has helpfully started The [continue …]

On a visit to this week to Z33, an amazing art centre in Belgium, I learned about the Belgian artist Koen Vanmechelen and his Cosmopolitan Chicken Project (TCCP). It’s wide-ranging investigation of what it would take to create and manipulate scores of [continue …]

“We will not have any more crashes in our time.”
“There is nothing in the situation to be disturbed about.”
“… the outlook is favorable…”
I couldn’t resist reproducing this 1927-1933 Pompous Prognosticators Hall of Fame
Someone should stand by to make a similar chart plotting, against [continue …]

Steve Messem (who led our sustainable tourism design camp at Dott 07) writes with news that his next installation – Drop – takes up residence beside Crummock Water in the Lake Distrrict, UK. You’ll find his 7 metre (20 foot) reflective raindrop near Haus [continue …]

Is this the next-generation telephony solution I’ve been looking for as an alternative to physical travel? Its creators, Unsworn Industries (Magnus Torstensson and Erik Sandelin) have created a sublime piece of communications landscape art, or something along those lines. Saturday 2 August is the grand [continue …]

Very sad news reaches us that Michel Waisvisz has died peacefully in his home after fighting the mean cells in his body for the last eight months. Michel was known around the world as a musician, visionary and the source of an enormous energy [continue …]

Luca Pizzaroni has been working for three years on building a sculpture which is made of garment clothing from every country in the world. For the artist, this this is a “mind travel escape” – and I know we have visitors from most countries at [continue …]

I don’t know about you but I’m off mapping today (and hope to see many of you there ). While I’m away, here’s another of the Belsay projects, this one by Francesca Steele. Her work engages [continue …]

You missed a truly gorgeous day: The opening of Picture House at Belsay. Here is Dott’s Beckie Darlington playing with the installation by UVA, which (the image) I borrowed from Pixelsumo (Chris O’Shea) who has posted a ton more [continue …]

This is a big week for Dott. The Picture House exhibition at Belsay Hall Mansion opens with a Digital Dinner on Thursday. The exhibition features three projects curated for Dott by Juha Huuskonen / Pixelache: a new work from Golan Levin; Adam Somlai-Fischer & [continue …]

So you think you know what an English country house feels like? Well think again. Judith King for English Heritage and Dott 07 (with Juha Huuskonen) have invited experimental film directors, artists and designers to transform Belsay Hall in Northumberland with a series of cutting edge art and new media [continue …]

In response to spam attacks we’ve had to turn off the comment function here. Apologies for that: If you’ve had a comment blocked, please send it to desk at doorsofperception dot com com and we’ll post it manually.

A rare opportunity to meet Natalie Jeremijenko in Glsagow. Voted as one of the Top 100 young innovators by the MIT Technology Review, Natalie is a design engineer and techno-artist who creates large-scale participative experiments in public spaces. She produces multimedia installations that use robotics, genetic and digital engineering, electromechanics [continue …]

The website of the conference in Boras now has videos of the speakers including Jeremy “hydrogen economy” Rifkin, Saffia “Free Trade” MInney, Oliviero “1,000 slides” Toscani, and John “oh no not a mouse!” Thackara. Back in Newcastle, we explored the relationship between design and sexual [continue …]

Paul Hawken reckons that over 1 million organizations, populated by over 100 million people, are engaged in positive activity designed to address climate and other environmental issues. “Collectively this constitutes the single biggest movement on earth, but but it flies under the radar” he writes. Paul’s new project, a book [continue …]

When we first did a Doors conference in 1993, the concept of interaction design was still in its infancy. Today, designers of digital technology products shape not just what the world looks like, but what it’s like to use. In his eagerly awaited book Designing Interactions [continue …]

Random.org run by Mads Haahr, offers true random numbers to anyone on the internet. Their most important use is the generation of cryptographic keys. For example, one Danish TV station runs an online backgammon server which generates more than 300,000 dice rolls per day. A dice roll is [continue …]

I was perplexed to find myself billed as a “designberater” at Monday’s Rosenthal Design Convention in Frankfurt. Now in my dictionary, berate means “to rebuke or scold angrily and at length”. That can’t possibly mean me, I thought, self-righteously. It turns out that the German [continue …]

Every time I open my computer these days another monstrosity makes me choke on my cocopops. On Monday it was reading the loony-tunes head of Saatchi and Saatchi talk about “war as a brand” (see below). Today I started to read Wally Olins – another eminence of design and communications [continue …]

I found it weird (in the story below) that brand marketing should be proposed as an appropriate response to climate change. Now I read in Mute that Kevin Roberts, CEO of Saatchi and Saatchi, last year advised the US Department of Defence on rebranding war. In a [continue …]

Apropos the security situation in London: “Loss of life might have surpassed the 2,700 killed in the attack on the twin towers in New York five years ago. “This was our 9/11,” a British security source said.
It’s a good thing that a lot of people were not blown up [continue …]

Did you know this? “In the old days, women exposed their adulterous husbands by marking their left and right socks”. I never heard this before. But this makes me a minority among Englishmen, I now realise, because they (we) have been ridiculed for decades for making love with our socks [continue …]

The avant garde of music and sound art is a good early indicator of social change; sound is a fluid and rapidly changing medium. That’s why this year’s Futuresonic looks well worth a visit. In three days of talks, demos and chat, an international crowd will explore how [continue …]

Jet Blue’s new credit card slogan wins my vote for the 2006 meaningless bollocks perpetrated by a creative agency award.

AIGA, the US professional association for design, and IDCA, the International Design Conference at Aspen, invited John Thackara to chair the Aspen Design Summit.

Conceived as “a new type of gathering for a new century”, this celebrated event brought design-minded leaders from around the world to Aspen, Colorado to make positive, [continue …]

Did we say that green design needs to be less sad and more glamorous?

Brad Pitt, who has few reasons to be sad that we’re aware of, narrates a six-part television series on ecologically friendly architecture, called Design-e², which launches in June on PBS in the US.

The series challenges [continue …]

The Situationists were early critics of the creative industries. They rejected the idea that art is a specialized profession, or that its task is to produce spectacles for consumption. The only time their leaders came to London (in 1961), one of them, Guy Debord, was to speak at the [continue …]

The Guardian is flogging an absurdly over-the-top watch on its website. Because the watch is radio-controlled, accuracy is guaranteed to “within one second in a million years”. The watch also boasts five daily alarms, a 1/100 second stopwatch, and world time. The Guardian promises that “you should never be [continue …]

Many of you probably know about Michael Darnell’s website Bad Designs – but it’s always growing, and always worth a re-visit. If there are other bad design collections out there, please let us know: we want to organise a Worst Design In The World Oscars. Meanwhile, because this [continue …]

I’ve been called priggish for insisting that some issues deserve more design attention than others. The trouble is that we are not good at judging risk – especially long-term ones – as a society, and when big issues get overlooked at the expense of insignificant ones, we end up [continue …]

“Enjoy the future” raves British Telecom, in its Technology Timeline for 2006-2050. BT spoils the effect by warning of wildcards, that “may happen at any time”, that include “international financial collapse” and “the possible rise of a machine dictator”. I’m sanguine about the second of these problems: [continue …]

Thanks to Europe’s most horrible company, Wanadon’t, our internet connection has again been down for days. So we have had to access our email by telephone. Your warmly-meant illustrated seasons greetings have taken literally hours to download. Next year, maybe think about sending us a poem?

A typically excellent piece by Karrie Jacobs in next month’s Metropolis discusses “how hard it is to mount a really innovative contemporary industrial-design show these days. The problem–and it’s not specific to MoMA–is that the products one can find on the shelves of almost any store are likely to [continue …]

My attention was drawn by offbrand to an article by Owen Gibson in The Guardian entitled ‘Shoppers eye view of ads that pass us by’. Owen used a recently developed set of spectacles, connected to a video camera and recording device, to monitor the quantity of marketing messages [continue …]